Gatsby Sofa

The Gatsby is available in the following configurations: 2 seater sofa, 3 seater sofa and 4 seater sofa and above.


With regards to materials, this modern sofa is available in fabric or leather upholstery.


Is this a fit for you? Then so is Gatsby.  “I wanted to create a model with huge, soft pillows that characterise the floater. But so it wouldn’t become too bottom-heavy, I counterbalanced this with a taut and slender frame, which is neither too thick or too thin”, says Eilersen, continuing: “Try to focus on the slender frame. Would your eyes expect to see such a frame combined with a thick, overstuffed seat? Gatsby is provocative. Instead of a thick, overstuffed seat, it is elegant and trim. And as a counterpoint to all these trimmed-down facets, there is gravity in the heavy arm- and backrests, floater look and comfort in the special lumbar cushions. The model brings together the elegant and the relaxed facets that typified the Gatsby period and style.” Easy to dance with Gatsby is a pure sectional sofa consisting of fairly few pieces, so it’s easy to dance with. The model’s standard base components make it possible to configure a Gatsby to fit the needs of nearly anyone. Grab a middle piece, which you can choose from two sizes. Combine with the end pieces, which are available in three sizes. Or use the corner piece to create a corner sofa. Gatsby’s seat is Eilersen’s world-renowned feather top, and all the cushions are our well-known quality cushions using authentic feathers/down.

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Click here for information sheet: gatsby infosheet


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Inspiration, Quality & Design


jens juul eilersen

Jens Juul Eilersen


Jens Juul Eilersen took over the management of the family’s small furniture factory in the early 1960s and has since created some of the most modern and popular sofas. When he was a kid in the 1940s, he spent many summer vacations in Funen, where the family factory, which his grandfather Niels Juul Eilersen had founded. Jens has a passionate interest in the objectives and proportions, and when he was not in the workshop, he sat and sketched. Instead of doing homework, he would draw figures of the furniture. In 1959, Jens hired to take care of the creative part of the furniture production of the family business.

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